Alex Mora-Ritual Teil 2

esta es la segunda parte del performance instalacion, del ritual a la ceherencia textual es creada un area de alrededor 20 metros cuadrados con piedra huevillo de rio´en su centro c.a de 5 metros cuadrados suelo de bosque este fue rescatado 10 meses antes de la primera parte del proyecto de destruccion del areal verde .

Alex Mora-Ritual Teil 1

del rituala la coeherencia textual una llamada atencion de lo que hacemos activistas en europa en proteccion al medio ambiente no es mas que similar que la lucha de los pueblos originarios
este un llamado a conciencia de la situacion de el pueblo mapuche en chile y su lucha contra la industria maderera !
mas infos google suerther aue köln junatamos 38.000 firmas y apoyo de diferentes partidos politicos para parar la destrcuccion del bosque ! ganamos en tribunales ! a seguir de pie !!

Global grillen local chillen I Jorge Hidalgo Columbien performer

professor :Paul Isenrath sagt :

„Kunst gehört allen Menschen“, der vielleicht wichtigste Satz im Manifest von Alex Mora, dass seinen Hungerstreik begleitet.

Kunst hat immer mit Erkenntnis zu tun. Denn wie könnte man etwas darstellen, was man nicht erkannt hat? Und es wird immer und in allen Gesellschaftsschichten Menschen geben, die unabhängig von jeder Belehrung nachzuempfinden vermögen, was ein Künstler zeigt in seinem Werk. Insofern ist die Kunst für alle da, und niemand sollte der Zugang zu einem Kunstwerk verwehrt sein.

Man kann ein Kunstwerk kaufen. Aber sehen, fühlen, erleben, was den Künstler zu dieser bestimmten Form geführt hat und in welchem Zusammenhang diese vielleicht steht mit der Alltagswelt um uns, das ist für Geld nicht zu haben. Außerdem macht es klein und beschissen, teure Kunstwerke um sich zu versammeln, nur um seinen Reichtum zu zeigen. Mehr Vertrauen zu den Scheinen als zu seiner Individualität zu haben, daraus könnte keine Kunst entstehen. Und warum sollte man Kunst damit erleben können?

Ich glaube zwar nicht, dass Alex Mora mit seinen Aktionen die Exzesse einer Schicht von Parvenüs stoppen wird, die Kunstwerke für sich, ihresgleichen und ein paar Motten um sich herum reservieren. Aber zumindest zeigt er damit, dass auch Künstler in der (scheinbaren?) Beherrschung der Kunst durch das Geld ein Problem sehen.

Paul Isenrath,

English Tex of Professor Paul Isenrath


"Art belongs to all people," this is perhaps the most important sentence in the manifesto of Alex Mora for his hunger strike. Art has always to do with knowledge. Because how could one represent something, which is not recognized? And there are and will always and all strata of society be people, which regardless of any instruction is able to asset and feel the intentions which shows an artist in his work. The art is for everyone, and everyone should have access to a work of art. You can buy a work of art. But see, feel, experience what has led the artist to this particular form and which connection exists with the everyday world around us, this is not possible to buy with money. It also makes you small and shitty, to gather expensive works of art around you just in order to show your wealth. More confidence in the notes as to his individuality, could never lead to art. And how could you experience art like this? I do not think that Alex Mora with his actions will stop the excesses of a layer of Parvenüs. But at least it shows that artists see in the (apparent?) Mastery of the art by the money a problem. Paul Isenrath

el dolor se termino

este fue el dia de ayer hoy es lunes 31 de marzo estoy definitivamente sin mas suenos de comida ni tengo habre alguna. Sin embargo tengo un profundo cansancio y dolor en los musculos , ala vez nada de energia. Es un sentimeinto muy raro de explicar entre dolor y

me da igual, creo si me acostara de nuevo dormiria todo el dia , hasta el escribir rapido con el teclado me causa fatiga , en este exeperimento que hoy en el dia 5 finalizare , para volver lentamente a restablecerme a la vida normal , eh teneido un ineteresante resultado de recopilacion de perspectivas de artistas no artistas , galeristas , que visitaron esta acciòn , y que conversaron conmigo y dieron su opinion ,

tomando parte de mis videos de plastica social donde yo realize desde mi cama a toda persona que ingresara ala habitacion.

Y que quizo reflexionar con respecto al concepto en el cual defini en esta acciòn de plastica social .

hunger strike for the liberation of the art

The cultural memory shapes human development since its inception. The artist as a witness has a significant role to play in this process(Guillaume Bijl). If we can now observe, how in today's society the art market (collectors) can decide whether a work will be accessible to the public, or not, then this is very worrying. They speculate with paintings, sculptures, installations like if these works had a purely economic value. The galleries act as parts of companies in a holding company. I don’t want to leave aside the importance of economic stability for the artist, or the knowledge that his work is valued, but today's reality is that the economic viability undermines the importance of artistic creativity. The goal of a work of art is, to be seen by as many people as possible, and to be the subject of collective reflection. Only then can a dialogue be established, which makes that the art is alive. This reflexive process genered by an aesthetic experience has become more and more difficult by the power structures of modern art. One example is the American artist Mark Rothko, of whom there is a retrospective in Munich and Hamburg to see. This will probably be the last exhibition of this most important international artist whose works cost up to 73 million dollars. But it is precisely this fact that makes further exhibitions highly unlikely, since it is almost impossible to insure images of such a high-priced category. This is especially true for the less prestigious exhibition places. In the case of Munich and Hamburg, the German government has made possible this retrospection BY important financial assistance. This is where speculation of the great leaders of the art market can lead us. The right of the art as a universal cultural ambassador is injured. These events cause me a growing malaise, which I want to express with a hunger strike. For the artist, every work of art is like an own child. If this work of art gets no chance to evolve and grow, by being issued, reflected and commented, then this is like an abortion. This happens, for example, with most works of art in the Third World, which never will be accepted by the current power centers of the art. But the same risk exists for the most well-known artists whose status as cultural witnesses are in danger to be undermined. Their work often learns only a limited and controlled growth.

3 dia Kunst art hungerstreik

hoy desperte despues de dormir en el taller este ejercicio me da como meta escribir parte de un manifiesto o por lo menos intentar con la presion del hambre entrelazar ideas que puedan reflexionar de la situacion actual del arte moderno hoy en pesado a pintar en los vidrios de protesta por tu liberacion entrego mis alas en fin en este estado tengo muchos suennos estoy cansado pero bien creo poder seuguir mucho mas , el domingo sera dificil con el recibimineto de los invitados el olor a comida siempre es intensivo , y doloroso se forman imagenes ,
y se empienzan a formar ideas las cuales se me manifiestan solo hasta el momento en poesia.
ideas de ver las realciones entre los mercados de comercio y de arte internacional cuando vuelva al taller sacare una foto del galpon de expociciones (Messe) donde se realizara el Art Cologne,